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・ Owen Gun
・ Owen Gwyn
・ Owen H. Johnson
・ Owen Hackett
・ Owen Hale
・ Owen Hall
・ Owen Hall (Oregon State University)
・ Owen Hargreaves
・ Owen Harper
・ Owen Harries
・ Owen Harris
・ Owen Hart
・ Owen Hart and the British Bulldog
・ Owen Hart and Yokozuna
・ Owen Hatherley
Owen Hatteras
・ Owen Heary
・ Owen Hegarty
・ Owen Hill
・ Owen Hills
・ Owen Holland
・ Owen Holland (MP)
・ Owen Holohan
・ Owen Honors
・ Owen Hood Phillips
・ Owen Hopton
・ Owen Horwood
・ Owen Hughes
・ Owen Hughes (canoeist)
・ Owen Hughes (politician)


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Owen Hatteras : ウィキペディア英語版
Owen Hatteras
Major Owen Hatteras (1912-1923) is a composite personage and pseudonym created and employed by H. L. Mencken and George Jean Nathan for ''The Smart Set'' literary magazine and adapted by Willard Huntington Wright during his short tenure as editor. The pseudonym was used to critique American (“Puritan”) traditions and ideals, such as marriage, religion, and academe, while protecting Mencken and Nathan’s own reputations. First with the “Pertinent & Impertinent” column and eventually the “Americana” column, Hatteras observed and denigrated American institutions, frivolity and sentimentalism, materialism, racism, censorship, and conservatism.
==History==
Owen Hatteras debuted in April 1912 and appeared regularly until Mencken and Nathan’s resignation in 1923, and in April 1919, he was presented as “Major” Owen Hatteras, denoting his decorated service in World War I. During his service, he was still able to write twelve pieces for ''The Smart Set'' during the war years, despite Mencken’s claim that “Hatteras was too proud to write,” mocking President Woodrow Wilson’s statement that “there is such a thing as a man being too proud to fight.”〔Harrison, S. L., ed. a.k.a. H. L. Mencken: Selected Pseudonymous Writings. Miami: Wolf Den Books, 2005. Print. p. 162〕
The creation of Owen Hatteras was meant to be an experimental prelude to Mencken and Nathan’s desired weekly, ''The Blue Review''. In ''The Blue Review'', they intended to lambast traditional American morals and ideologies, mostly using satire, but the magazine never came to fruition. ''The Smart Set''’s publisher, John Adams Thayer, was excited by the idea, but suggested that they first try out the critical tone on their current audience. Thus, they created the “Pertinent and Impertinent” column in April 1912 pseudonymously, though their own signed writings revealed much of the same sentiment. Owen Hatteras, however, could be freely raffish and acerbic. He attacked religion, marriage, morals, manners, capitalism—staples of American life. These American tropes came to be identified by Mencken as “Puritanism,” stripped of the Calvinist implications and loaded with the dated and passé mores instilled by the early American Puritans. Though Hatteras preceded Willard Huntington Wright’s editorship, Wright used Hatteras as one supply of the “truth” Wright promised his readers: real characters and people who complicated America’s idea of morality and virtue.
When Mencken and Nathan needed to defend themselves against accusations of being communist supporters, contrarily “accused...of being both agents of the Kaiser and the Bolsheviks,”〔Curtiss, Thomas Quinn. The Smart Set: George Jean Nathan and H. L. Mencken. New York: Applause, 1998. Print. p. 134〕 they wrote a satirical biography in 1917, ''Pistols for Two'', and signed it under Owen Hatteras’s name. He was thus memorialized in the Library of Congress by cataloguers, who derived his birth year, 1862, from his article earlier in 1917, “Conclusions of a Man of Sixty.”〔Dolmetsch, Carl R. The Smart Set: A History and Anthology. New York: Dial P, 1966. Print. p. 36〕 His name was attached to the “Americana” series in May 1923, which reprinted headlines and insipid articles from small towns. Hatteras mocked with false respect the small towns’ editorial efforts, denigrating their inherent racism, pro-War sentiments, Fundamentalism, Prohibition, etc. The “Americana” series continued with Mencken and Nathan in ''American Mercury'', but they dropped Owen Hatteras because he was too playful for their new serious tone.
Though he never became the household name that Mencken and Nathan hoped he would become, Owen Hatteras had a fan following, and he responded regularly to fan mail and invitations to events (that he respectfully had to decline). In the December 1923 issue of Mencken and Nathan’s new magazine endeavor, ''American Mercury'', they announced that Owen Hatteras had died, and in response, other magazines and newspapers wrote obituaries of him.〔Adler, Betty. H.L.M., the Mencken Bibliography. Baltimore: Enoch Pratt Free Lib., 1971. Print.〕

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